What I am looking for are some queer-friendly advertisers who want to get a message out to an average of 1,500 listeners within the first month. Each episode lives on in perpetuity which provides further longevity. I want the ads to be relevant to the podcast and interesting, and I will work with the advertiser to make that happen. The rates are really accessible, $100-$150 per episode (depending on length of ad).
On October 11, 2009, I competed for the title of Miss Lez 2009. The pageant, founded by the legendary Murray Hill, is “a wildly provocative, insane, jaw-dropping alternative beauty pageant for queer womyn that blows the lid off of ‘gender representation’ and shines the spotlight on New York’s underground queer scene.” It was an honor to represent my favorite clothing store as Miss Re/Dress NYC. It was also really fun to use my art and my extensive wardrobe (I didn’t buy a single new outfit for the pageant) to express myself in this unusual performance art format.
Since the contest I have received numerous accolades for my performance and requests for the written version of my pageant platform. I don’t like to disappoint, and thus I present unto you, gentle readers, my pageant entry.
Each contestant was asked to come out on stage and deliver a short platform after showing off their outfit to the audience. My platform was well-rehearsed and proceeded as follows:
“My name is Bevin Branlandingham. My platform is No Bacon Left Behind. Bacon, like queers, comes in a myriad of forms. You have your standard pork bacon, middle of the road turkey bacon, and bacon from that magical Vegan paradise known as Morningstar Farms. Bacon is the symbol of our national queer meal, which is brunch, where we come together to nurse our hangovers as a community. If selected as Miss Lez 2009, I will ensure that No Bacon is Left Behind.”
It was my intention to be campy and to express my value for creating inclusive community.
I wore a satin Marilyn Monroe Dress with a bacon applique and a small bacon hair bling.
(Last photo by Syd London)
Swimsuit was the most nerve wracking part of the competition for me and Contestant #2 (we discussed this backstage), Becca Blackwell. I was coached by World Famous *BOB*, who gave me her official endorsement for Miss Lez. Having a schtick made it much easier to be on stage in a bathing suit.
I came out in a red cover up with sparkly eyelash fur that looks great under stage lights. During the first pass I took it off to reveal my swimsuit, a black with white polka dots one piece halter with red piping.
First photo by Syd London
*BOB* said I should make sure I have matching cunty heels and purse. I chose a black patent leather clutch with black and white polka dot lip detailing from the Beth Ditto collection. I rolled deep in the Queer Fat Femme culture for my entry as Miss Re/Dress.
As a seasoned burlesque performer, *BOB* told me that she believes that every woman on stage in a swimsuit should eat something. To tie everything into my platform, I reached into my clutch and pulled out a piece of very crispy (and very tasty) bacon, and ate it on stage. The crowd went wild.
Backstage before the pageant I was practicing questions with my team of pageant moms, the Baconettes. I began every answer with “I’m glad you asked me that question, [insert name here]”. I learned a lot of good pageant tricks from watching Toddlers & Tiaras and Drop Dead Gorgeous. I changed again, this time into a red cotton wrap dress. I figured if I flubbed my question at least my cleavage would be a distraction.
Linda Simpson was the judge who gave me my question. She asked me if selected Miss Lez, if I would pose nude. I was genuinely glad she asked me that question!
I answered that I was already planning to pose nude for Fat Bottom Boudoir and that I was using those images for my forthcoming Fat and Queer Erotica Anthology. The working title is “Better than Cupcakes: Queer Fat Femmes Kiss and Tell” and that the idea was born because I was tired of not seeing any genuine body or gender diversity on the covers of all of the standard Lesbian erotica anthologies.
I’ll also have you know that I have completed my promise and posed nude for the very first time in front of Molly’s camera. Whether I’ll publish the finished work will be determined when I see the proofs.
I had an interesting time determining what my talent should be. I do a lot of performance, comedy, humorious essays, burlesque, drag kinging… However, I am most excited about Femmeceeing. So I did a short game show on stage. I narrated it by telling the audience that I was multi-talented, and my first talent was Femmeceeing. I then introduced my Baconettes.
My outfit was a red wiggle dress and my very favorite boots in the whole world, red patent leather with white leather gussets. (I had them custom made from a pair of boots I got on ebay, total cost was about $60 for the shoemaker and the boots together.)
I then told the audience that a talent of mine was being surrounded by hot femmes, which is true.
The Baconettes were Black Amethyst, Lola Dean and AfroTitty. All fresh bottoms on the burlesque scene. I really couldn’t have held it together as well as I did backstage without their femmetourage support!
Each held a box with a number on it. I had a bacon spinner in my hands made by my drag dad Johnny Kingpin, who also made the bacon pieces worn in my hair, on my clothes and on each of the Baconettes.
I invited up an audience member to spin the wheel to tell their fortune.
It landed on Box 2 and the corresponding Baconette (Lola Dean) approached with the box. She opened it to reveal to the audience a box full of red velvet cupcakes with cream cheese icing. I made those from scratch (another talent).
I then took one of the cupcakes and put it in my cleavage for Anne (I mean, my totally random audience member) to eat. The crowd went wild!
I sent Anne back into the audience with a box of cupcakes for her to share with her section of the crowd.
Murray Hill had told us before the pageant that there were no rules and we were allowed to bribe the judges. I sent the remaining two Baconettes over to give them some cupcakes and cleavage.
The last section was evening wear. I went with another red dress, this one a floor length lingerie dress with a sheer back for the reveal aspect. I also upgraded my bacon hair bling to a bigger hairpiece.
The majority of my evening was spent backstage. It is a really fast paced show and we had 5 outfit changes. Since I was contestant #1, I never got to go outside the stage door to see what the other contestants did, but I hear everyone was absolutely fabulous. It was really fun to get to know the other performers and hang out backstage.
I was second runner up. That means if Miss Lez (Miss Butch Mamas) or the first runner up are unable or unwilling to fulfill their duties as Miss Lez, I will totally step in. My goal for competing was not to win, though, it was to be unforgettable. Considering all of the press for the show mentioned my platform, I think I did just that.
I was consoled by the fact that everyone performed really well, and apparently all of the contestants’ scores were apart by just one point.
Brian, my interview coach and Gay Boy BFF has charged me with becoming the Clay Aiken of Miss Lez.
My whole No Bacon Left Behind platform is really all about inclusivity and creating space in the queer community for the myriad of forms that queer comes in–just like bacon manifests in all different forms on our brunch tables. Undeterred by my loss, I will carry on my mission as Miss Re/Dress NYC. I styled a photo booth at a Brooklyn queer dance party (That’s My Jam), encouraging people to get flamboyant and do a little hipster cross-dressing. And this week I am producing Maxi Craft, a free community craft fair, giving many queer vendors the opportunity to sell their stuff. I’ll continue to do more community building using the title of Miss Re/Dress, and expressing my love for bacon every chance I get.
In the That’s My Jam Photobooth by Bloodhound Photography