MIX NYC Queer Experimental Film Festival is Next Week and Why You Should See the Bambi Lake Documentary
My friend Silas Howard directed and produced an incredible documentary Sticks and Stones about Bambi Lake premiering in NYC on Tuesday Bambi is the chanteuse, erstwhile sex worker, performer and songwriter of “The Golden Age of Hustlers.” I absolutely adore this song, I’ve seen Vivian perform it several times over the past few years. Sticks and Stones follows Bambi through her old stomping grounds (the ’70s along Polk Street in San Francisco). The 14 minute film has Bambi reminisce about those Golden Days, a three year period before drugs diminished the spirit of the hustling there, pre-AIDS during the Harvey Milk days.
Last year I went to MIX for the first time and had a blast. I always thought it was just a film festival, but it’s also a huge-scale community art installation featuring epic lounge areas, a stage, performances and so much eye candy to absorb. I plan to spend a few nights there next week during it’s temporary run. Tuesday, November 11 through Sunday, November 16 and then it’s gone.
You know how sometimes you ask the Universe to make your life magical beyond your wildest dreams and you have an evening that is clearly the answer to that?
You know how sometimes the most incredibly transformative things are, by their very nature, completely temporary?
Last night I found myself awash in unexpected magic when I headed to the Mix Festival. I went to a panel discussion about Race and the Colonial Impulse (which was also amazing) and Mix was the official after party so I figured I’d head there and get free admission. I never realized Mix was free if you didn’t go to the screenings! You can just wander in an experience the Mix Factory and all of its glory.
Mix is in its 26th year! I kept sending up prayers of thanks to my queer ancestors for making this whole shebang possible and wonder how it has stayed so underground?
I walked into the venue and it was so enormous–it looks like nothing on the outside and inside there are countless huge art installations. My friend Rachael Shannon’s amazing Brestival Vestibules are there, a huge dinosaur bone looking thing, several lounges full of pillows, and rooms and rooms of interactive, light-filled, video incorporating work so vast that in four hours I barely scratched the surface.